In Part 1 of this series there was a complete scene shown both above and in the reflection. In this image, the complete scene is shown in the reflection, but only a portion of it above. Why the difference?
In this scene, the sky, while nice, was much more appealing in the reflection than in actuality. So I chose to crop out most of the sky above the mountains, but let it show in the reflection. Often colors in the reflection tend to be more intense than in the scene itself, and that was the case here.
Because most of the sky is cropped out at the top, the horizon line is above center. Placement of the horizon line is purely a personal choice, based on the elements of a scene. Art experts say that a horizon line placed in the center provides a sense of calm, while a low or high horizon line creates visual tension. The more off-center the horizon is, the more tension is created by the image.
I included a small rectangular boulder in the lower left to act as an anchor point.
Because of the strong contrast – bright white clouds and very dark green trees – some optimization was needed in Lightroom to bring both extremes under control.
Shutter Speed 1/640 sec. Aperture f/18. ISO 400. Lens: Canon 70-200mm f/4L IS, set at 98mm. Camera: Canon 5D Mark III. Handheld.
TODAY’S QUOTE: “We should be filled with awe and joy at what lies over the horizon. And we should be filled with absolute determination to make the most of it.” --Bill Clinton