Tuesday, April 29, 2014
The Great Smoky Mountains National Park is renown for its huge array of wildflowers, and its beautiful flowing streams. It is an incredible water world. Today’s photo shows a small portion of a large stream in the late afternoon. The yellowish reflections are the late day warm-toned reflections of fresh spring leaves on the surrounding trees.
Photographing moving water can be fun and creative. Photographers often ask about the best shutter speed to show the movement of water. The answer is that there is no one standard answer. Water moves at different speeds, depending on how full a stream is and how much water is flowing at any given time. After a rainfall streams often flow at a faster rate of speed, so a faster shutter speed than you used the last time you photographed the same stream might provide the same look.
Also, some people prefer a softer look which is achieved with a slower shutter speed, while others prefer a less soft look achieved by using a slightly faster speed.
The best approach is to try a variety of shutter speeds, and then decide after downloading your images which ones work best. I generally start with a shutter speed of about ¼ second. Then I double the time with each succeeding shot, going to ½ second, then 1 second, then 2 seconds and so on.
Set the ISO at 100. Use Aperture Priority and set the f/stop as high as it will go on your lens, perhaps f/22 or f/32. Then see what the shutter speed is.
If you cannot get the shutter speed slow enough, add a polarizing filter or a neutral density filter. Either of these, or both in combination, will cut the amount of light getting through the lens, and consequently will allow you to slow down the shutter speed.
It is best to photograph moving water on overcast days, or early in the morning or late in the afternoon, when no direct sunlight strikes the surface of the water. Direct sunlight on water can create very bright white areas, causing extreme contrast and making it difficult to maintain good detail in the whites as well as in the dark tones.
Try a variety of shots, some showing a long view of the stream, and others showing close up vignettes of smaller areas. The best way to learn what works best for you is to just get out there and shoot!
Shutter Speed 4 seconds. Aperture f/32. ISO 100. Lens: Canon 70-200mm f/4L IS, set at 200mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead.
TODAY’S QUOTE: “Practice is the best of all instructors.” --Publilius Syrus
Sunday, April 27, 2014
A welcome sight on any forest hike in springtime is a Jack-In-The-Pulpit sighting. They are generally hard to spot because their coloring blends in with the greens and browns of leaves and new shoots.
I’ve just completed a wonderful weekend as the Keynote speaker at the annual Cumberland Falls, Kentucky Nature Photography Weekend. It was a great group of participants who were friendly, welcoming, and eager to learn. And they produced some beautiful images over the course of the weekend.
In a break between programs, I went out to see what I could see. There were several “Jacks” in perfect condition just off the trail on a hillside that put them at eye level. Perfect! No bending or lying on the ground to get this great view at the perfect vantage point.
This Jack had beautiful coloration, sporting a reddish-brown inside and stem, and a rich green on the outside. The angle was perfect to shoot it in such a way that the inside of the Jack, as well as the lovely overhead curve of the “hood” could be shown in full detail.
The hillside was in shadow, making the light on the plant very soft and even. I used a large lens aperture in order to blur the background, making the Jack stand out.
Many thanks to all who attended the Nature Photography Weekend at Cumberland Falls State Resort Park in Corbin, Kentucky. You made my time there a real joy. And a special personal thank-you to the coordinator, Bret Smitley, for making sure everything went so smoothly.
Shutter Speed 1/320 sec. Aperture f/3.2. ISO 400. Lens: Canon 100mm macro lens f/2.8L IS. Camera: Canon 5D Mark III. Handheld.
TODAY’S QUOTE: “Keep close to Nature’s heart…and break clear away once in awhile, and …spend a week in the woods. Wash your spirit clean.” --John Muir
Thursday, April 24, 2014
This common Brown-headed Cowbird took on a regal pose against a simple out-of-focus background.
He had been darting in and out of view, and was not the most photogenic bird in the area. But when he landed on this sunlit tree stump and his iridescent feathers were spotlighted by the sun, suddenly he became the center of attention.
I was very lucky with the background elements. Shooting wild songbirds from a blind, you get what you get. It is not easy to change positions quickly or efficiently, and doing so can often alert the birds to your presence and the shot evaporates.
The dark background helps to accentuate the feathers, and the soft greens and the hint of pink in the upper right corner add some interest to the background.
A nice side benefit to the frontally lit bird is the catchlight in his eye. While catchlights are not mandatory in an otherwise successful image, they can add a bit of sparkle to a dark eye.
Shutter Speed 1/500 sec. Aperture f/8. ISO 800. Lens: Canon 200-400mm f/4L IS with 2x extender for effective focal length of 800mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “Luck is a matter of preparation meeting opportunity.” --Lucius Annaeus Seneca
Tuesday, April 22, 2014
Sometimes when you are out photographing, the perfect shot presents itself with no effort on your part. Just being observant is good enough. This phlox was just such a situation.
Walking slowly along a narrow roadway, I saw many phlox in prime condition. Strolling at this pace was a lesson I learned several years ago from a man I passed along a trail here in the Smokies. He was walking very slowly, pointing out several plants and flowers along the way. He said that this approach enabled him to spot things that a faster pace would not. So I learned to slow down and REALLY look.
When you slow down, it gives your mind a chance to absorb all that is around you, and for your eyes to find some ideal subjects. As I began to view each plant, not just the overall expanse of phlox, I spotted this grouping. This is one plant that amazingly has three phases of the blooms - tight buds, a partially opened flower, and a fully opened flower. The spacing created by Mother Nature between each bud was perfect and all I had to do was click the shutter.
This flower was in full sunlight, and I shot some as-is, and others with a small white nylon diffusion disk. I selected this image, shot with the diffusion disk, for today’s blog.
The diffusion disk works well when photographing flowers in sunlight since it creates soft light and eliminates harsh shadows. This is a small folding disk of translucent nylon measuring about 12 inches in diameter. It folds down into a very small 4-inch package with its own zippered carrying case.
It is small enough to hold in one hand and shoot with the other, even when not using a tripod. If you happen to be out with a friend, it can be helpful for one to hold the disk while the other person shoots, and then trade off. Hold the disk as close to the flower as possible without it showing in the frame.
When photographing close-ups of flowers, shallow depth of field creates soft out-of-focus backgrounds. An aperture of f/2.8 or f/4 is a good starting point.
Shutter Speed 1/100 sec. Aperture f/3.5. ISO 100. Lens: Canon 100mm macro f/2.8L IS. Camera: Canon 5D Mark III, handheld.
TODAY’S QUOTE: “…when the stars aligned, I was ready.” --Shannon Lucid
Sunday, April 20, 2014
Spring is very late in coming to the Smokies this year. The hard, cold winter has delayed the blooming cycle. Some wildflowers are in bloom, but others are just beginning to peak above the ground.
This trillium is a white flower that turns pink when it is nearly finished. The pink color can range from very pastel to a deeper tone like this one. Often by this stage in the life cycle the petals are pretty beat up, but this one still looked fresh and undamaged.
I wanted to showcase not only the color, but the delicately curled petals as well. A very shallow depth of field did the trick. It allowed the leading edges of the two front petals to be sharp while the rest of the flower is slightly soft.
The green background sets off the warm pink color and helps to make the flower look three-dimensional.
Use all the tools in your arsenal, and learn all you can, to create images that pop off the screen.
Shutter Speed 1/200 sec. Aperture f/3.5. ISO 100. Lens: Canon 100mm macro f/2.8L IS. Camera: Canon 5D Mark III. Handheld.
TODAY’S QUOTE: “ The mechanic that would perfect his work must first sharpen his tools.” --Confucius
Thursday, April 17, 2014
What a glorious sunrise. After being rained out and unable to see the lunar eclipse Monday night, hit with car trouble on the way to Wednesday’s sunrise, today was successful on all counts. We arrived at the top of Clingman’s Dome in the Great Smoky Mountains National Park an hour before sunrise.
It was 27 degrees so we bundled up in warm coats, hats, and gloves. We set up at a good vantage point and waited. Other photographers arrived a little later and had to hurry to get set up. Whenever possible it is better to arrive a little early rather than a little late. Sunrise can be manic enough, since the light changes very quickly and focusing can be difficult, so it is best not to add to the stress by running late.
When photographing sunrise from a high elevation, the sky gets light much earlier than you might think. It is best to be there, ready to go, about an hour before official sunrise time.
When you arrive it will be dark, so be sure to have a flashlight or a headlamp handy to light your way to your vantage point, and to double check your camera settings. Everything will be easier in the early morning darkness if you prepare things the night before:
1. load and format the memory card in your camera;
2. make sure your batteries are charged and that one is loaded in the camera;
3. put the lens you want to start out with on your camera;
4. set the ISO to 400
5. set your camera on Aperture Priority at f/16 or f/22 or greater (the shutter speed will set itself)
6. be sure to pack your tripod
7. have a cable release or remote trigger to minimize camera shake
Determining focus can be difficult in low light situations. Live View does not work well in low light. Either manual focus or autofocus can work reasonably well. If your eyes are sharp and you are comfortable manually focusing, try that. I prefer to use autofocus and use one focus point only. I place that focus point on an area of most contrast, finding a line between a dark area and a lighter area. Focus on that and then recompose. The autofocus mechanism is designed to work best when it can grab onto a point of contrast. In this image I focused on the middle ridge line, where its top edge meets the lighter area of the back ridge.
The natural starburst occurred automatically because of the small aperture. As long as a bright light source is partially blocked by something dark like a mountain in shadow or a dark cloud, the starburst will occur.
This is a great time of year for sunrises since the sky is generally not as hazy or humid as it will be in the summer. So find some photogenic spots, get up bright and early, and head out!
Shutter Speed 1/15 sec. Aperture f/25. ISO 100. Lens: Canon 70-200mm f/4L IS set at 70mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “There was never a night or a problem that could defeat sunrise or hope.” --Bernard Williams
Tuesday, April 15, 2014
Compare these two images of a female cardinal. They are the same shot. The BEFORE image is how the original looked as shot, and the AFTER image is with some quick optimization in Lightroom.
Notice how the AFTER image shows more detail in the head and body, as well as the twig. Notice that the colors are improved but still look natural. The overall look is brighter and punchier in the AFTER image.
After cropping, only 5 quick steps were needed to create the final image:
1. Shadows were increased to +100.
2. Highlights were reduced to -70.
3. Clarity was increased to +32.
4. Vibrance was increased to +63.
5. Noise (Luminance) was reduced to 30.
That’s it. In about 5 minutes or less this so-so image was improved and brought to life.
Image optimization does not have to be complicated or time-consuming. Just spend a little time learning the software and practicing, and before you know it you will have elevated your images to a much higher level.
Shutter Speed 1/640 sec. Aperture f/11. ISO 800. Lens: Canon 200-400mm f/4L IS with 2x extender for an effective focal length of 800mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “Life is really simple, but we insist on making it complicated.” --Confucius
Monday, April 14, 2014
In the middle of all the fast and furious shooting of wild songbirds last week, a few chipmunks took advantage of the abundant food supply. This one spent quite a while gorging himself on seeds and grains, and posed nicely for the camera.
As he brought the food to his mouth, his little hands took on a prayerful position. I guess he was thankful for the abundance of food that had come his way.
If you go out in search of a particular subject or species, always stay alert and be aware of other opportunities that might present themselves. As you have read many times in this blog, it is important to be an opportunist and be prepared to photograph subjects in addition to your main ones.
Keep your eyes and ears open for anything that might prove to be photogenic.
As you can see below, this was shot at 800mm. Even at that, some cropping was needed to eliminate part of the extraneous background. If you do not have access to long lenses, you can often still get what you want by cropping. Most cameras and lenses today are sharp enough with good resolution that will allow for a high degree of cropping. Often extreme crops will hold up well for electronic transfer (for email, web postings, etc.) but will lose quality if blown up too much for a print.
Shutter Speed 1/160 sec. Aperture f/16. ISO 1600. Lens: Canon 200-400mm f/4L IS with 2x extender for an effective focal length of 800mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “Let us not look back in anger, nor forward in fear, but around in awareness.” --James Thurber
Saturday, April 12, 2014
Grackles. Not the most popular or most beautiful bird in the woods. They have a fearsome visage, a rather grating and demanding call, and most of the time appear to have deep black feathers. But in the right light, they glow with iridescent colors.
Look carefully at all the colors in this image. The feathers glow with shades of pink, green, and blue. The just-blooming pink dogwood and azaleas in the background create a pleasing backdrop.
The diagonal line created by the branch and the angle of the grackle's body provide a simple yet strong composition. His position and the turn of his head give him an almost regal appearance.
Very often nothing complicated is required to create a pleasing image. The simple approach can be the best approach, depending on the subject and the lighting.
The Wild Songbirds Photo Workshop Part 2 concluded yesterday, and like Part 1 it was spectacularly successful. Each and every participant created truly world-class images, kept their good humor throughout each day, worked well together, laughed at my jokes, and generally had a blast. I want to thank each of you for making the entire week so successful and fun.
I'd also like to thank Gary and Janice, our hosts at their fantastic bird habitat, for being so gracious and good-humored, and for going out of their way to make everything perfect in all respects. Gary, thanks for your constant tending to keep the birds close to the blind, your bird identification skills, and the care and forethought in creating such a perfect shooting area for photographers. Janice, thanks for all your time and work creating those delicious lunches, your kind and smiling face, all your input throughout the week, and keeping Gary on the straight and narrow!
Shutter Speed 1/800 sec. Aperture f/9. ISO 800. Lens: Canon 200-400mm f/4L IS with 1.4x extender, set at 400mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY'S QUOTE: "I get by with a little help from my friends." --song lyrics by Paul McCartney and John Lennon
Friday, April 11, 2014
Today is the last day of the Songbirds Photo Workshop Part 2. It has been another wonderful group of happy campers. Everyone has been good-humored, easy-going, and each person has created beautiful images. The sheer number of birds has been amazing, and the action has been exciting.
This landing zone with pansies in the background was the perfect spot for a yellow bird to light. But it was just not happening. I waited and waited. And waited. And waited. But finally this tiny pine warbler landed in exactly the right spot.
When photographing wildlife of any kind, patience is crucial. Often many minutes or sometimes hours pass while you wait for the action to occur. During those times it is important to keep an eye on other action as well. While you wait, you don’t want to miss other action or species that are also photo-worthy.
So multi-tasking, at least mentally, is crucial. And when you are finally rewarded with what you had hoped for, the feeling is sweet!
Shutter Speed 1/200. Aperture f/9. ISO 400. Lens: Canon 200-400mm f/4L IS with 2x extender for an effective focal length of 546mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “Patience is bitter, but its fruit is sweet.” --Jean-Jacques Rousseau
Thursday, April 10, 2014
At the ongoing Wild Songbirds Photo Workshop, the cardinal action was fast and furious. Many males and females darted back forth, posing for our cameras. The males engaged in some territorial displays, with the dominant ones banishing the others.
This guy, a beautiful specimen, was clearly in charge of his range. He comfortably sat on this tree trunk, feasting when and where he chose to.
We have seen so many different species and each behaves slightly differently. Some flit quickly from perch to perch, others are calmer and stay put for longer periods of time. When photographing wildlife of any sort, observation is vitally important. Give yourself time to be observant in order to capture the best images possible. It is tempting when arriving at a new location to start shooting indiscriminately right away. While that might net you some good shots, a better approach is to be calm and to observe activity and behaviors. Once you have a better sense of the action, then begin shooting.
A good frame of mind to maintain is that even if you miss a shot, you can still enjoy the experience and can keep that pleasant memory throughout your lifetime.
Shutter Speed 1/160 sec. Aperture f/5.6. ISO 800. Lens: Canon 200-400mm f/4L IS with 1.4x extender for an effective focal length of 560mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY’S QUOTE: “You can have no dominion greater or less than that over yourself.” --Leonardo da Vinci
Wednesday, April 9, 2014
Part 1 of the Wild Songbirds Photo Workshop has just concluded, and Part 2 begins later today. It was an incredibly successful workshop with more species of birds than we could have hoped for, and constant bird activity throughout most of each day. And the best part is that each and every participant came away with beautiful, professional quality images.
We spent each day in a very large blind surrounded by birds constantly coming and going, while we were fully protected from the elements. And we were treated to birdsong all day long. It doesn't get any better than that.
We saw several Red-Bellied Woodpeckers like this one, plus Downy Woodpeckers as well. We also saw the usually elusive Towhee, White Breasted Nuthatches, Thrushes, Goldfinches, Bluejays, Cardinals, House Wrens, Pine Warblers, and dozens more. We were also treated to the comical antics of a very hungry chipmunk who filled his cheek pouches beyond huge.
We had lots of laughs, we enjoyed sharing images with each other and hearing comments, had great food and great camaraderie throughout the workshop.
Some of the participants have already expressed interest in coming back next year, so if you are interested, please send us an email to let us know. There is no obligation to be placed on the "Interested List."
Stay tuned for more images as the week progresses.
Shutter Speed 1/200 sec. Aperture f/8. ISO 400. Lens: Canon 200-400mm f/4L IS with 2X extender for an effective focal length of 546 mm. Camera: Canon 5D Mark III. Gitzo tripod with Really Right Stuff ballhead and Wimberley Sidekick.
TODAY'S QUOTE: "A bird doesn't sing because it has an answer, it sings because it has a song." --Maya Angelou
Monday, April 7, 2014
The long-awaited wild songbirds photo workshop begins today. There is an excited and happy group of participants ready to go!
Watch the blog later this week for some photos and stories of our wonderful week.
TODAY'S QUOTE: " Life is either a great adventure or nothing." --Helen Keller
Watch the blog later this week for some photos and stories of our wonderful week.
TODAY'S QUOTE: " Life is either a great adventure or nothing." --Helen Keller
Saturday, April 5, 2014
|ORIGINAL COLOR CAPTURE|
|BLACK & WHITE CONVERSION|
This macro shot of a magnolia flower works well in both color and black-&-white. The color image conveys softness and a sense of calm. The black-&-white image appears more dramatic and intense. Very different feelings. Which do you prefer?
In the absence of color, the eye is drawn to the basics - texture, pattern, shape, lighting and tone. Texture and pattern are important in black-&-white images. Low contrast lighting (such as that seen early in the morning, late in the afternoon or on overcast days) can enhance texture and roundness (the 3-dimensional look of a subject). Side lighting creates shadows and will also highlight texture. Harsh midday light, on the other hand (when frontally lighting a subject), can obscure detail and form. Head-on harsh light can make an image appear "flat."
In this image of the magnolia, the petals are smooth while the flower's center is highly textured and complex. The composition is simple yet there is depth and dimension.
A successful black-&-white image also requires tonal contrast. In this image there is a full spectrum of tones ranging from the whitest white to the blackest black with several shades of gray in-between.
Other tips to keep in mind for black-&-white photography include using a low ISO and shooting in RAW. A low ISO will minimize noise (the equivalent of grain in a film photo) in the image. As mentioned in previous blogs, it is best to shoot in RAW so that the camera records all the information (including color). This will give you more control over the post-production conversion from color to black-&-white.
So…next time you are out with your camera, take some images with the intent of converting them to black-&-white. Think about the basics. Look for texture, pattern, light, and tonal contrast. Subject matter can be anything - landscapes, still life, portraits, architecture, street scenes. They all work in black-&-white.
Experiment, too, with post-production conversion on images that you shot in the past. A ho hum color image just may end up being spectacular in black-&-white.
[Editor’s note: Paula is a prolific and superb photographer. You can see more of her work at www.PBase.com/mpneumann ]
Paula Neumann bio:
Paula considers herself a "visual" person and has always enjoyed taking photos. Up until a few years ago though, she used a point and shoot camera or the automatic setting on an SLR camera. When her daughter headed off to college, she tried to fill the void by taking some photography classes through The Art League in Alexandria, VA. It worked, she got hooked on photography, and yes, she can even operate the manual settings on a camera. She feels that she still has a ways to go technically, but she's on her way. She has been on Awake the Light tours to Alaska, the Smoky Mountains and to the Grand Teton and Yellowstone National Parks. Paula enjoys floral/macro photography, nature, and travel photography. She has started dabbling in night and portrait photography. She shares her passion for the camera with her husband and daughter. Paula recently retired from a 26-year career as a hospital-based pathologist who used to spend hours peering through a microscope every day. Now she can spend those hours looking through the camera lens.
Shutter Speed 1/320 sec. Aperture f/3.5. ISO 200. Lens: Canon 100mm macro f/2.8. Camera: Canon 7D. Handheld.
TODAY’S QUOTE: “Color is everything, black and white is more." Dominic Rouse
Friday, April 4, 2014
Picasso said “every child is an artist; the problem is staying an artist when you grow up.” Where does our creativity go? How do we get it back?
The best way to begin to get your creativity back is just to start. While that may sound meaningless, it is not. You HAVE to start somewhere. Here are some ways to get started:
§ Shoot what you love - that will make it easy to find subject matter that pleases you
§ Learn new things - take a photo workshop, view online tutorials, shoot with others
§ Stop worrying about what others think
§ Play more - fortunately photography is not brain surgery; relax and play
Once you have begun, take lots of images. Shoot subjects from all angles. Really work the subject in a variety of ways.
Experiment at every opportunity. Don’t worry if much of what you take has to be discarded. You will learn from the successful images as well as the unsuccessful ones.
Learn to use all your camera’s controls for maximum creativity. Try slow shutter speeds on a windy day in a field, or for birds in flight. Don’t feel you have to stick to the rules of composition, or any other “standard” approaches to making photographs.
Look for line, shape, color, or texture in all that you see. Exercise your vision like a muscle. Be observant at all times.
Use reflections, or geometric shapes, or leading lines to engage the viewer.
Look for abstracts in nature, or in things around your home. It can be a wonderful creative exercise.
Try shooting outdoors after dark. It can be an entirely new way of seeing.
Use these ideas as a starting point, and then spread out from there. Follow your heart and get in touch with what moves you.
Shutter Speed 1/250 sec. Aperture f/13. ISO 200. Lens: Canon 70-200mm f/4L IS, set to 70mm. Camera: Canon 40D. Handheld.
TODAY’S QUOTE: “There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life…” --Sophia Loren
Wednesday, April 2, 2014
|Did you vote for the duck or the reflections as the main subject of this image?|
Thanks to everyone who voted on whether the main subject of this photo is the water reflections or the duck.
Of all the votes that were cast, it was almost an even split between people who felt that the reflections were the main subject, compared to those who felt the duck was the main subject. In addition, there were a few people who felt that each element needed the other in order for the image to be successful, so they voted that both were equal parts of the subject.
It is always so interesting to hear differing views on what a photograph is all about. There is no right or wrong answer. Each person responds to what speaks to him or her. As in any artistic medium, beauty is in the eye of the beholder.
Some representative quotes from those voting for the water reflections:
“Because the reflection has such lovely colors and you are not zoomed in on the duck, the reflection is the main subject and the duck just adds a bit of interest.”
“The reflection because it has more impact. It occupies a much bigger area of the photo….”
“The reflection is the subject and the scaup is just an hors d’oeuvre that adds an element of interest.”
Representative quotes from those who voted for the duck:
“…my first thought was that it is a reflection picture primarily. Then when I enlarged it I found my eye continually drawn to the duck.”
“…first I saw the colors in the water…. Then I realized that all the vertical reflections led me up to the duck’s wake [which] were leading lines that led me to the duck.”
“There are three main elements - the duck, the wake in the water, and the reflections. There is significant synergy between the elements. If I had to choose just one subject it would be the duck. It is placed near the rule of thirds power point.”
The names of all those who voted were placed in a bowl and a winner was drawn at random. And the winner is (drum roll, please) …….. Joyce Niejako. Congratulations, Joyce!
The prize is a $25 Gift Certificate from Hunt’s Photo and Video. https://www.huntsphotoandvideo.com/
We will continue to have more opportunities for you to win prizes in drawings announced on our Facebook page https://www.facebook.com/pages/Awake-The-Light/123508281034128 and in this blog. Stay tuned and spread the word to your photographic friends so they can enter as well.
And "LIKE" us on Facebook!
To see the technical data on today’s image, go to its original blog posting here http://awakethelight.blogspot.com/2014/03/subjective-subject.html
TODAY’S QUOTE: “Art, like morality, consists in drawing the line somewhere.” --G.K. Chesterton